Still Life by Paul DiBert (1930 2009) A trompe l'oeil still life painter, Paul DiBert hearkens back to the traditional values of his French Huguenot Pennsylvania ancestors with his paintings focused on values of light and dark and precise depictions of everyday objects. Early in his career he did a variety of subjects but ultimately focused primarily on still life because, with his introverted"> Still Life by Paul DiBert (1930 2009) A trompe l'oeil still life painter, Paul DiBert hearkens back to the traditional values of his French Huguenot Pennsylvania ancestors with his paintings focused on values of light and dark and precise depictions of everyday objects. Early in his career he did a variety of subjects but ultimately focused primarily on still life because, with his introverted"> Still Life by Paul DiBert (1930 2009) A trompe l'oeil still life painter, Paul DiBert hearkens back to the traditional values of his French Huguenot Pennsylvania ancestors with his paintings focused on values of light and dark and precise depictions of everyday objects. Early in his career he did a variety of subjects but ultimately focused primarily on still life because, with his introverted"> Paul DiBert (1930-2009) Trompe l'oeil still life, Utah, California Oil Painting Blackamoor Dimensions: 36" long x 17" – sef-hvh.nl
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Paul DiBert (1930-2009) Trompe l'oeil still life, Utah, California Oil Painting Blackamoor Dimensions: 36" long x 17"

SKU: 33803555161

4.6
USD535.00 USD562.00

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Description

Dimensions: 36" long x 17" deep x 30" high (Open: 36" square) Condition: Excellent age related condition

the beaded sides look great and have no losses

marks on the back

On the front of the case is a hand painted portrait on mother of pearl

Height: 2 1/2 inches

Paul DiBert (1930-2009) Trompe l'oeil still life, Utah, California Oil Painting Blackamoor Dimensions: 36" long x 17"data exclude css removal="true" style="display: none;"> Still Life by Paul DiBert (1930 2009) A trompe l'oeil still life painter, Paul DiBert hearkens back to the traditional values of his French Huguenot Pennsylvania ancestors with his paintings focused on values of light and dark and precise depictions of everyday objects. Early in his career he did a variety of subjects but ultimately focused primarily on still life because, with his introverted

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